Contemporary Art And Artistic Practices - 1465 Words

Historical Context The Community-based Artistic Practices are not a complete novelty in contemporary art, their rhetoric are being used as strategic tools, to support discourse such as democracy, equality, social justice among other, from the 1960s on a explicit way. Even less, this â€Å"social turn† , understood as an ethical shift by artist and critics who focus their attention on the aspect of social usefulness of the art practices, characterized by an increase of art projects that emphasize participation, dialogue and community engagement to activate the public sphere attempting to offer new social models to live together; appear like a leitmotif along the theory and history of art of the 20th century. One of the focal points in the†¦show more content†¦This art ´s condition was throwing into crisis with the emergency of avant-garde movements from the late 19th century in Europe, because these movements recognized on this status –autonomy of art– a lack of self-criticism by art, not only in the â€Å"art institution in its separation from the praxis of life† ; but also to bourgeois society as a whole. In other words, the avant-garde is understood as a form of self-consciousness of artistic field, with a very clear interest to break the art ´s autonomy, while separate form of production, as a necessary condition to redirect the art into life. According to Peter Bà ¼rger, with â€Å"the reintegration of art into praxis proposes a revolution in the life, which causes a revolution in the art.† As Bà ¼rger states, the avant-garde movements that sought to break with the bourgeois autonomy of art and thereby apply a strong self-criticism to art institutionally were: the Russian Constructivism, closely linked with the Revolution of 1917; Dadaism and its negation of art as institution; and the Surrealism. Nonetheless, after the World War II in the middle of the 20th century, the avant-garde schism became a crisis, failing in its quest to eliminate the division between art and life and its critical self-consciousness about this, which meant its co-option by the art institution ,Show MoreRelatedMarcel Duchamp And John Cage1574 Words   |  7 Pagesrole in contemporary art practice and theory today. During the early 20th century, Marcel Duchamp was influenced by the emerging artistic movements such as Dada and Cubism. He experimented with Cubism briefly and attempted to capture time and motion in a cubist style painting. He endeavoured to â€Å"detheorize’ Cubism in order to give it a freer interpretation’. Inspired by his time lapse photography, Duchamp painted ‘Nude descending a staircase’ which would ultimately change artistic practice foreverRead MoreAnalysis Of Alain Lockes The New Negro1646 Words   |  7 PagesIn 1925, philosopher and leading black intellectual Alain Locke published the short essay The New Negro. In this essay, Locke describes the contemporary conditions of black Americans, and discusses the trajectory and potential of black culture to affect global change in its historical moment (Locke 47). Locke wrote this essay in the midst of the Harlem Renaissance, a period in which black artists and intellectuals sought to reconceptuali ze black lives apart from the stereotypes and racist portrayalsRead MoreDadaism and Conceptual Art: Marcel Duchamp1324 Words   |  6 Pagesexhibition of readymade objects changed the status and value of artistic authorship. Readymade is a term devised by Marcel Duchamp in 1915 to label manufactured objects remote from their practical setting and raised to the prestige of art by the action of an artist’s choice and label. Marcel Duchamp was a French-American painter and sculptor. His work is linked with Dadaism and conceptual art, a movement that examined suppositions of what art must be, and in what way it should be arranged. Duchamp hasRead MoreDada Was A Radical And Cynical Artistic Movement1555 Words   |  7 Pages Dada art was a radical and cynical artistic movement, which arose in reaction to the failings of society that led to the First World War. Dada revolted against the recognized tropes of the art world it sought to escape. It dismantled the image of art as the heightened, unique object by contradicting the established traditions and forms of western art to that time. This essay will discuss four of the ways Dada artists pursued this goal, namely through the use of everyday objects, eliminating meaningRead MoreArt Cinema As Institution, Screen, 22 ( 1981 )1597 Words   |  7 PagesNeale, S. (1981). Art cinema as institution, Screen, 22(1), 11-39. In Art Cinema as Institution, Steve Neale outlines the role of Art Cinema in the attempts made by various European countries both as a means to challenge ‘American domination of their indigenous markets in film† (p.11), and to further develop a film culture of their own. 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His works draw upon themes from Maori art as well asRead MoreThe Value Of Art And Art1726 Words   |  7 PagesThe ownership of art in 2017 is typically brought up in discussions regarding works of art with seven to eight-digit price tags, owned by individuals with a net worth that can be described using nine to ten digits. However, popular opinion would probably agree that the person who has the single greatest appreciation for art is the art historian. Popular opinion would also be quick to agree that the art historian does not value a work of art in accordance with the market’s appraisal of a given pieceRead MoreArt Is The Visual Manifestation And Application Of Human Creativity Essay1246 Words   |  5 PagesArt is the visual manifestation and application of human creativity, typically executed through painting or sculpture. Art is multifunctional, in that it has the ability to tra nscend the visual by evoking an emotional response in a non-verbal way. In art, artists are able to utilize their medium to connect their personal message to the audience in a non- traditional manner. Disarming the audience by presenting a new perspective on critical issues through the implementation of art and can help combat